Dear Ian,


   It was Saturday, 2nd of December 2006, and it was the last day of my seven day

visit to Dublin. I had a late afternoon flight to Frankfurt and further on to Belgrade,

my hometown. I packed my things, checked out early from a hotel, and went out

for a walk through Temple Bar, Dublinia, and along the Liffey river towards the

Heuston station. It was a beautiful, clear sunny morning, and I enjoyed the walk

along the cobbled streets and the wind blowing all around. When I came close

to the Phoenix park, I crossed the bridge to the north side and planned to go to

the Smithfield area, and then I saw the billboard for ROCKCHIC in a nearby

National Museum of Ireland. So, I decided to make a small detour, without knowing

what to expect. And just how lucky I was, it was phenomenal, one of the best

exhibitions I've seen anywhere. The music was playing, there were plenty of people

there already, and a huge number of 7-8 year olds running around or listening to

the music on headphones left around Rory Gallagher guitars. There was an older,

bearded man explaining to them, things about Rory. The idea of taking school kids

to a guitar exhibition seemed like a really positive and educational thing to do.

I suppose this can happen in Britain and Ireland only, maybe just one or two more

countries, because of the strong r'n'r legacy that exists here. There were some

middle aged men passionately discussing some important music issues nearby,

others taking photos with their cameras and mobile phones. I browsed around,

and was absolutely delighted to see Velvet Underground, Oasis, Rolling Stones,

U2 guitars and other classical stuff. Practically all the bands that meant a lot

to me at different stages of my life, from my teens up until now (I'm 34), were

represented there. The section with customised guitars was equally impressive,

all big names of design have paid homage to the guitar, including JLo :)). I phoned

my wife when I stood in front of the oldest exhibited Rickenbacker, to share the

excitement of the whole thing and to tell her about Philippe Starck, Hedi Slimane

and others, ‘cause she's an architect and is mad about design and stuff, plus she

was the TV host to a chart show during her twenties and is very much into music,

as well. It felt great, I made two rounds, soaked the whole thing into my head, and

just stood in front of guitars imagining them in the hands of musicians standing

in the Marquee club (my father still wears the T-shirt that I brought from the

London club when I was 18) or other historical venues years ago.

Needless to say, I bought the catalogue on my way out, and took it with me in my

hand luggage. It was still a beautiful sunny day outside; I went on to Smithfields

and the music was all around me. I stood at a bridge to listen to Coldplay playing

"The Hardest part" from the speakers hanging at a news stand, and it felt like

million dollars, the sun, the wind, music and going back home after having such

a great time in Dublin. The exhibition was a beautiful ending to my stay in the city.

The Lufthansa airplane was high in the night sky when I saw London below me

in all its size spreading for miles around, and I could recognise everything,

Soho area and Hyde park, City lights and Tate Modern, all the places of my most

favourite city, the world capital of music and great football, the city where we

spent our honeymoon. I arrived in Belgrade after midnight, came to our flat just

minutes after my wife returned from a birthday party. In a bathroom I found her

note saying that we are going to have a baby.

"Such a perfect day...", "It's a Beautiful day..." call it what you want, but there are

not many days like this in a lifetime, I suppose.

Thank you for being a part of it.


Sincerely,

Filip Bankovic, Belgrade, Serbia

 


 

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